Heraldic and Architectural Carving

Heraldic Carving

Letter carving is closely linked with that of relief carving, as the masonry techniques and disciplines are the same. There are two sorts of relief work: raised, where the background is cut away leaving the stone standing proud; and sunken, where the carving is below the surface of the stone. An inscription is often greatly enhanced by the addition of a coat of arms, a cross or other motif.
Carving heraldry in stone requires discipline; it has rules. A coat of arms is made up from a blazon which is a brief description of the arms, and cannot be changed. However, the carver does have artistic license to alter aspects of the layout. This consists of the shield which is the most important part, the helmet, the torse (a twisted length of cloth which rests on the helm), the crest and the motto. Added to this is the mantling and, sometimes, supporters; for example, the lion and the unicorn. However, often just the crest or shield is used as they may be stronger on their own. On the right is a carving commissioned by Alan Titchmarsh.

Architectural Stone Lettering

Large scale inscriptions in stone are almost always cut in situ, whether high up on scaffolding or standing on a pavement. Each letter is carefully drawn and cut, using little more than a pencil, mallet and chisel. This expertise can be applied to any project, including street signs, office logos, shop signs and names of buildings.